Copyright

Kawhi Leonard Loses Copyright Lawsuit against Nike

Author: Sarah Nadon – Law Student
Edited By: Ryan Carson

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When many see the “Klaw” logo, they associate it with the former Raptors all-star, Kawhi Leonard. The logo was created by Nike Corp based on a sketch drawn by Kawhi Leonard when he was in school, but just because many people associate the logo with Leonard does not mean that he is its rightful owner. According to a recent ruling by a United-States federal judge, the logo created does not belong to him; it belongs to Nike.1
Last summer, there was a widely reported feud between Nike, the largest sports apparel company and Kawhi Leonard over the ownership of the “Klaw” logo. The logo is of Leonard’s large hand, which inside contains his initials “KL” and the number 2, which he had worn on his jersey for much of his basketball career.2 Leonard was adamant that he had the idea to create a logo which incorporated his initials and the number "2" into a drawing of his hand and before entering the Nike Contract, he created the "Leonard Sketch" as a draft of that idea. Over the course of the next few years, Nike developed variations of the logo, while Leonard states that he had the final say over the logo's final appearance.

In 2018 when the endorsement deal ended, Nike and Leonard parted ways, and Leonard demanded a court to declare that he is the sole owner of the logo and that Nike fraudulently registered the logo with the United-States Copyright Office in Washington D.C.3 While Leonard was filing his lawsuit, Nike disputed Leonard’s story and sued him for copyright infringement, breach of contract and fraud.

Litigation originally began in Southern California but moved to the U.S. District Court for the District of Oregon, giving Nike a home-court advantage. Judge Michael Mosman presided over the case.4 On April 22, 2020, Mosman J. heard Nike’s Motion for Judgement. Mosman J. stated that ownership over the “Klaw” design turns on the Nike contract entered into by Leonard. Paragraph 8 of the contract states:
           OWNERSHIP OF NIKE MARKS, DESIGNS & CREATIVES.
           (a) [Leonard] acknowledges that NIKE exclusively owns all rights, title and interest in and to            the NIKE Marks and that NIKE shall exclusively own all rights, title and interest in and to            any logos, trademarks, service marks, characters, personas, copyrights, shoe or other product            designs, patents, trade secrets or other forms of intellectual property created by NIKE . . . or            [Leonard] in connection with this Contract;5

The judge held that the Nike contract established Nike’s ownership of the logo because the “klaw” logo was (1) a new piece of intellectual property and (2) created “in connection” with the Nike contract.

While throughout the case, Nike asserted that this was a tale of two images, Leonard consistently refers to the “Leonard Logo.”6 This is because Leonard’s theory is that no new intellectual property was created over the course of the Nike contract; instead, the “Klaw” logo is the finished result of mere modifications to the logo Leonard has created independently of Nike. The judge rejected that theory during oral arguments.

Next, the judge analyzed whether the “Klaw” design was created “in connection with” the Nike contract. If the logo was created in connection with the contract, Nike owns it. Leonard’s argument was that the contractual language “in connection with” is ambiguous and unconvincing.7 The purpose of the Nike contract was to pay Leonard for “the use of [Leonard]’s personal services and expertise in the sport of professional basketball and [Leonard]’s endorsement of the Nike brand and use of Nike products.”8 According to Leonard, at some point during the contract, Nike wanted to create a logo for the merchandise to be sold under Leonard’s Nike contract. The “Klaw” logo was created and affixed to merchandise that Leonard wore and endorsed and Nike sold.9 Not only was this activity done in connection with the Nike contract, but it also represented the entire point of the Nike contract. Since the logo was created under the Nike contract for the purpose of endorsing both Nike and Leonard, Nike owns the design and the right to register a copyright for it.

Furthermore, the judge granted in part and denied in part Nike’s counterclaims, which included a declaratory judgement of copyright ownership, copyright infringement, copyright right cancellation for fraud on the copyright office, breach of contract paragraph 8, breach of contract paragraph 13 and breach of contract paragraph 21.10 The judge granted breach of contract under paragraph 21 as the contract states that any dispute arising under the contract should be litigated in an Oregon court. Leonard filed his action in the Southern District of California.

Nike was granted copyright ownership and, in part, breach of contract but denied judgement on other counterclaims. Leonard’s lawyers are currently weighing their options on what to do next.

Disclaimer

The content on this web site is provided for general information purposes only and does not constitute legal or other professional advice or an opinion of any kind. Users of this web site are advised to seek specific legal advice by contacting members of Carson Law, Carson IP, or their own legal counsel regarding any specific legal issues. Carson Law does not warrant or guarantee the quality, accuracy or completeness of any information on this web site. The articles published on this web site are current as of their original date of publication, but should not be relied upon as accurate, timely or fit for any particular purpose.

References

1 Sports Illustrated, News Release, “Kawhi Leonard Loses Copyright Lawsuit Against Nike Over Logo (April 23, 2020) https://www.si.com/nba/2020/04/23/kawhi-leonard-loses-lawsuit-against-nike.
2 Ibid.
3Ibid.
4 Ibid.
5Nike Contract [16-1] at 7.
6Kawhi Leonard v Nike Inc., ( D. Or. 2020)
7Ibid.
8 Ibid.
9Ibid.
10Ibid. .

Copyrights 101

What is Copyright?

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Copyright is the exclusive legal right to produce, reproduce, publish, or perform an original literary, artistic, dramatic, or musical work. This legal right is normally held by the creator of the original work in question.

The purpose of a copyright is to allow the owner to control how their work is used, which in turn preserves its value (monetary or otherwise). Copyright achieves this end by making it illegal for anyone other than the copyright owner to use the work without the owner’s permission.

Canadian copyright law honours this purpose in trying to protect the rights of copyright owners. However, it also tries to balance protecting owners’ rights and promoting the public interest in the creation and distribution of works. In other words, the law recognizes that it is important for Canadians to create as freely as possible, even if this sometimes means limiting copyright owners’ rights.


Do I Have Copyright Over My Work?

In Canada, almost all original works are automatically copyrighted by virtue of their creation. A copyright exists for the lifetime of the creator, plus the remainder of the calendar year in which the author dies, plus fifty years after that. Following this period, the work loses its copyright, becoming public domain. For example, if Tom wrote a book at any point in his life, and then died on October 3rd, 2000, his copyright would exist until December 31st, 2050.

There are some exceptions to this term of copyright protection, depending on who the copyright owner is, or whether the owner is known.


What is the Difference Between Having a Copyright and Having a Registered Copyright? How Can I Register My Copyright?

As mentioned earlier, almost all original works are automatically copyrighted at the time of their creation. Registering a copyright with the Canadian Intellectual Property Office provides the owner with a certificate documenting that this copyright exists. This certificate can be useful if ever a question of copyright ownership or infringement arises, because the certificate can be used in court as proof of the existence and ownership of a copyright.

Costs for the registration process are available on the CIPO website, linked here.


If you have further questions about whether you hold a copyright, whether you can use someone else’s copyrighted material, or whether you have breached someone else’s copyright, please contact our office.

AN ATHLETE’S RIGHTS TO PROTECT AND EXPLOIT THEIR PERSONAL BRAND

While the recent strong performance of the Toronto Raptors in the NBA finals has brought joy and hope to Toronto sports fans and supporters of Canadian basketball, it has also brought with it a flood of media coverage. The daily spotlight being shone on the team should come as no surprise to anybody, nor should the fact that anything even remotely associated with Raptor’s star forward, Kawhi Leonard (“Leonard”), is met with an exceptional amount of scrutiny. So, one can imagine just how much attention a story might receive involving one of the NBA’s biggest stars and the sports industry’s largest apparel company. As was widely reported earlier this week by just about every single news media outlet in North America, Leonard has initiated legal action against sports apparel giant Nike Inc. (“Nike”) over control of his personal branding.

Copyright Comparison Series - Part 3: Case Law

This is the third and final part of our copyright comparison looking at rules and regulations in Canada and the United States. Part 3 looks at different landmark cases that have helped shape the landscape of how copyright law is interpreted in Canada. Make sure to check out parts 1 and 2 in the series.

Copyright Comparison Series - Part 2: Fair Dealing versus Fair Use

This is the second part of our copyright comparison looking at rules and regulations in Canada and the United States. Part 2 looks at the differences between the principles of Fair Dealing in Canada and Fair Use in the U.S. Make sure to check out Part 1 that provides an introduction and insight into derivative works in both countries.

Copyright Comparison Series - Part 1: Derivative Works in Canada and the U.S.

This is the first part of our copyright comparison series looking rules and regulation in Canada and the United States. This comparison of the Canadian concepts of fair dealing and “derivative works” with equivalent provisions of the U.S. Copyright Code will highlight the broad protection afforded to users of pre-existing works in Canada. Make sure to look out for parts 2 and 3.